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  • joshintvsmallest.JPG

    A Word from the Webmaster

    Poltergeist is a marvel among horrors. It takes “the haunted house picture” and  adds fantasy to it, giving it a freshness that most other ghost movies just don’t  have. My experience with Poltergeist began in my childhood. I didn’t exist in 1982, so  my first...

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  • Poster C

    Posters

    Style A Style C Spanish Turkish Japanese  Style B

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  • goldsmith_conduct

    Jerry Goldsmith Scores Poltergeist

    In an interview with Cinema Score, Jerry Goldsmith spoke about how he got the job. “Steven Spielberg called me about five months before it went into production and wanted to know if I would be interested in doing it. He’d long been an admirer of mine, and we...

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  • Rhino Score

    Score Analysis

    It begins with the Star Spangled Banner playing loud and proud as if we were about to watch a baseball game, but no it’s just some channel’s late night programming coming to a close. As it abruptly becomes white noise, the score transfers into an eerie melody...

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  • The Stain

    Alternate Bedroom Attack: “The Stain” Part Two

    The scene where Diane is invaded by an invisible force and dragged up the walls was, at one time, a much darker and more aggressive sequence. It was a bit more clear that she was actually being raped by the invisible force. The original concept begins with...

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  • thestaininfilm

    “The Stain” Part One

    In the final film, there is a scene where Carol Anne approaches the television. A ghoulish hand floats out and bursts into the wall. In the screenplay, this began a small subplot, where a stain starts growing on that exact spot on the wall. Later...

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  • gimbal3

    Bending the Laws of Gravity

    Scenes: Carol Anne Gets Abducted, Diane on the Walls How It Was Done: These scenes were shot on a gimbal set. A gimbal set is, for lack of a better definition, a large, rotating set. Variations of gimbal sets have been used for decades to...

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  • hooperpress

    Spielberg & Hooper: The Two Directors

    Tobe Hooper was hired to direct, something which later become somewhat of a massive controversy. Spielberg had seen Hooper’s The Texas Chainsaw Massacre and loved it. Spielberg said about TCM: “It’s a real cult film, I know,” says Spielberg, “but one of the most truly visceral movies ever made....

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  • 1805a

    Script Development

    The legacy of Poltergeist begins with Raiders of the Lost Ark. During the production of Raiders, Steven Spielberg headlined discussions for what soon became Poltergeist. In a 1982 interview with Fangoria Magazine, Producer Frank Marshall said “Steven had always wanted to do a ghost story....

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